From the category archives:

publishing

To be published by Cleis Press in fall 2011

Editor Sinclair Sexsmith is looking for hot, sexy, well-written stories about kinky sex between queer women, from bondage scenarios to power play to role play to sadism and masochism to sensation play for a new anthology of lesbian BDSM erotica. Looking for characters with a range of age, race, sexual experience, gender identity and gender expression: butch, femme, genderqueer, gender-non-conforming, dapper, and others will all be considered. Cis women, trans women, and genderqueer characters who identify with the lesbian community are welcome. Stories should have strong literary voice, characters, tension, and rising action. All characters must be over 18. Prose only will be considered, no comics, graphic stories, or poetry. For examples of what I am looking for, see Tristan Taormino’s collection Best Lesbian Bondage Erotica.

Deadline: January 1, 2011

How to submit: Send your story in a Times New Roman 12 point black font Word document (.doc) with pages numbered of 1,500 to 5,000 words to lesbianbdsmerotica@gmail.com. Double space the document and indent the first line of each paragraph. US grammar required. If you are using a pseudonym, provide your real name and be clear under which you would like to be published. Include your mailing address and a 50 words or less bio in the third person. Publisher has final approval over the manuscript.

About the editor: Sinclair Sexsmith runs the award-winning personal online writing project Sugarbutch Chronicles: The Gender, and Relationship Adventures of a Kinky Queer Butch Top at www.sugarbutch.net. With work published in various anthologies, including the Best Lesbian Erotica series, Sometimes She Lets Me: Butch/Femme Erotica, and Visible: A Femmethology volume 2, Mr. Sexsmith also writes columns for online publications and facilitates workshops on sex, gender, and relationships. Find her full portfolio and schedule at www.mrsexsmith.com.

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badfaggot CALL FOR SUBMISSIONS: Young and Kinky

Young and Kinky, edited by Matt Johnson aka Bad Faggot

We’re the present and future of a network of communities which are growing by leaps and bounds but which nonetheless feel marginalized and threatened. We’re either hailed as saviors of a sexual culture or framed as a problem that culture is forced to confront in order to survive. We’re often talked about in the abstract but only rarely are our individual voices setting the terms of the conversation. This book means to shift that balance.

Young and Kinky (working title) is an anthology of short nonfiction by people under age 40 who are participants in leather, BDSM, fetish, kink or related communities. This collection defines “community” as broadly as possible: from educational events to sex parties, from book clubs to social networking sites, from erotic businesses to charitable organizations.

Possible topics for inclusion:

– coming out narratives: finding communities, finding other young kinksters
– forming our own groups: TNG, boys/girls of leather
– integrating into existing groups: how to do it successfully
– bars, clubs, contests: are kink institutions still relevant?
– the generation gap: relating to our elders and our history
– youth leadership in kink communities
– where we live: physical and virtual gathering places
– what we do: is our kink different?
– naming: what do we call ourselves and why?
– why now? are there more of us than there used to be?
– is age just a number? when are we no longer “young”?
– talking across divisions of gender and sexual preference
– does young equal submissive?
– social bias (racism, sexism, ageism, biphobia, transphobia) in the scene
– out in the world: kinky at work, with family, friends, and children, in other communities

Contributions should range from 1000 to 5000 words in length. Please no fiction, porn/erotica, or poetry. This is a nonfiction volume reflecting our lived experiences as younger kinky people of all genders and orientations. Contributions from women, transfolk, and kinky folk of color are particularly encouraged.

Please submit a summary (no more than 3 paragraphs) plus a brief contributor bio no later than June 30, 2009. Initial submission of full articles should be no later than December 31, 2009. Electronic submissions strongly preferred.

Contact:

Matt Johnson
badfaggot at hotmail dot com

PLEASE REDISTRIBUTE WIDELY

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from publisher Debbie Rasmussen:

First the bad news: The print publishing industry as a whole is staring into a void. Across the board, newsstand magazine sales are in a slump, subscriber numbers are down, and paper and postal costs continue to rise. But it’s not magazines like US Weekly or Vogue that you’ll see disappearing from the newsstands—they have the parent companies and the resources to weather industry ill winds. It’s the small, independent magazines like Bitch that will disappear, because the odds are already stacked high against us. And simply put: We need to raise $40,000 by October 15th in order to print the next issue of Bitch.

Donate here.

Link

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Kasia writes:

Debauchette and I are finally coming to the point of being able to launch a project we’ve been working on over the past couple of years. We’re in LA, staying at the Chateau Marmont, in the suite that Helmut Newton lived in to put the last touches on and move forward to our debut.

Here’s the elevator pitch: Haute porn with a heart. Erotic material that’s authentic, intelligent and aesthetically beautiful. Postmodern porn. A sexual New Yorker.
We’ve created a forum for content that is difficult to find and hasn’t been allowed to be produced, shown or published elsewhere. Smart porn. It’s a website – an online magazine showcasing video, photography and written works. To borrow a term Reverse Cowgirl coined, it’s Pornographic Coolhunting.
I’ve known about this project for awhile. I’m thrilled they can finally talk about it.

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Title: Best Women’s Erotica 2009
Editor: Violet Blue
Publisher: Cleis Press
Deadline: May 1st, 2008

Please note: Publisher has final right of refusal on all submissions. Payment is upon publication, plus 2 copies of the book; pub date is November 2008.

Best Women’s Erotica is a legendary and groundbreaking yearly series, and is the best-selling women’s erotica collection, period. Every year BWE raises the bar for explicit erotica written by and for women, penned by the most exciting female authors, from around the world.

This edition (BWE 2009) is selected and edited by Violet Blue. In this edition, we are looking for fictional stories that seek to push the boundaries of female sexuality, present realistic fantasies and situations, and break taboos. The sex acts depicted must be explicit and realistic in detail. A strong focus on character, predicament, and compelling situations is desired — smart, literate erotic fiction. The desired orientation within the main sexual element of the stories is primarily heterosexual, yet bisexuality and lesbian encounters are also encouraged. The primary focus of sexual activity must be on the female experience; female pleasure is the main element. A playful, clever approach is welcome, as are intense scenarios.

Both editions of BWE 2006 and BWE ’07 won the Independent Publisher award for Best Erotica Book. Both BWE ’06, ’07 (and just-released ’08) edited by Violet Blue are very different from past editions — please read a few stories from either book or the introductions for examples of tone. Dark themes (such as breakup, jealousy, infidelity and death) must be exceptional in content for acceptance and are *least* desired. Do not send sci-fi, poetry or fantasy fiction.

Established authors and newcomers alike are welcome.

Desired themes include: Women’s sexual fantasies and experiences of all kinds, such as taboo sex acts, fantasy scenarios (real or imagined), bondage, fetish, male anal penetration (such as strap-on play), first-time experiences, light S/M, exhibitionism, power-play, voyeurism, public sex, seduction, role-play, spontaneous sex, spanking, erotic punishment, sexual surprise, emotional honesty, desire, longing, lust, passion, female fierceness, power (and power struggles), deviousness, meaning, themes that involve the Internet and technology, and sublime humor. Above all, include explicit sex.

Paste your pieces into emails and send to: cleisbook at gmail.com

Editor’s notes: If you send an attachment, I will delete your email immediately. I am not accepting paper submissions. Only three submissions per author. Word count: 2500 to 4500 words is the desired range. You *must* include your name, a short bio, mailing address and main contact email address with your submission. No simultaneous submissions (you will be disqualified with no hesitation if you submit it to multiple publications), and no reprints. Excerpts from already-published, full-length books will be considered. Authors must be female; sorry, no male authors writing under pseudonym. Because of the volume of submissions last year (literally hundreds), I likely won’t be able to respond to your submissions until late May. Please only use the cleisbook at gmail.com address for correspondence about this book. I appreciate your patience in advance!

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Edited by: Sassafras Lowreyt Kicked Out a Call For Submissions**
Publisher: Homofactus Presst Kicked Out a Call For Submissions
Deadline: March 1, 2008

Kicked Out is an anthology, which chronicles the experiences of former queer youth and current queer youth who were forced to leave home as minors because of their sexuality and/or gender identity.

Kicked Out tells our collective stories of survival, weaving together descriptions of abuse, and homelessness with poignant accounts of the ways in which the queer community offered sanctuary, and the power and importance of creating our own chosen families etc.

Kicked Out offers advice and wisdom to the queer youth of today from former queer youth who have survived. Additionally, it provides the opportunity for readers to get a glimpse into the world of those queer youth who as a result of circumstance have had to leave home, while simultaneously shattering the stereotypes of who queer youth are, and what they have the potential to become.

Kicked Out showcases stories of overcoming obstacles, and not simply surviving but thriving in the face of seemingly insurmountable adversity. Kicked Out will explore the diversity of our experiences across lines of race, class, gender, sexuality, ability, and geographic region celebrating our differences, and showcases the ways in which they have contributed to our unique experiences.

Possible topics include but are not limited to:
• How being forced to leave home as a minor continues to impact your adult life
• What happened to you when you left home and how you survived
• Words of wisdom for today’s homeless queer youth—what you wished someone had told you
• Survival through the creation of “chosen family”
• Challenges of dealing with CPS or other agencies
• Success through adversity- overcoming a troubled past

Submissions should be between 1,500 and 2,500 words in length and previously unpublished. Submit your piece via e-mail in .doc format to KickedOutAnthology@gmail.com. Multiple submissions per contributor are welcome. Please include a short biography and contact information with your submission. Submissions must be received no later than March 1, 2008; contributors are encouraged to submit early. Rights revert to the authors upon publication. Contributors whose work appears in the anthology will receive TBA free copy(ies) as well as ongoing royalties. for more information check us out online at: www.myspace.com/kickedoutanthologyt Kicked Out a Call For Submissions

**Sassafras Lowrey is a high femme writer, artist, and activist. Ze was forced to leave home as a teenager after suffering physical violence after coming out as queer. Sassafras found hir way to queer youth organizations and movements, which quite literally saved hir life. As an adult ze has never forgotten the impact those groups had on hir life and has volunteered regularly with the queer youth of today. Sassafras lives with hir partner, two cats and a dog in New York City. Hir first book “GSA to Marriage: Stories of a Life Lived Queerly” is scheduled for release Summer 2008.

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firstchapters Read and Vote in the Gather.com First Chapters Writing CompetitionRemember that short story I posted, The Great Passover Rebellion of 1963 about working mothers who weren’t going to take it anymore?

Candy Korman, the author, wrote me to thank me for linking to her story. She also let me know that she is a finalist in Gather.com‘s First Chapters Writing competition. It’s kind of like the “American Idol” of book publishing. One novelist will win a publishing contract with Touchstone/Simon & Schuster, a $5,000 cash prize and promotion by Borders!

I’m posting this to encourage you to read her work, and to vote for her in this competition.

Her novel, Wendy and Alice, is a mystery set in contemporary New York and featuring a soon-to-retire FBI agent contemplating the next chapter of her life. Alice is at loose ends until Wendy, a little girl she rescued from kidnappers decades ago, reappears as a controversial photographer. Wendy’s work is targeted by a conservative family values organization and when the leader of that group is murdered she is the obvious suspect. Freedom of expression, sexuality and the definition of art are explored as passionate characters on both sides of the red/blue divide people this murder mystery.

You can read Chapter 1 and Chapter 2. Please read and vote on Chapter 3. Here’s a taste from Chapter 3:

Alice was less concerned with a child accidentally seeing a sexual image — they certainly saw enough nudes and near nudes in fashion magazines and movie ads — than she was with the likelihood that pedophiles would find Wendy Liddell’s work alluring. That held a real possibility of danger, but Alice wasn’t sure if banning images was a valid option. Once one started banning art, it was a classic, slippery slope toward censorship of all kinds.

According to the New York Times art reviewer, the photos were ” . . . poetic expressions of burgeoning sexuality that rode the fine line between innocence and knowledge.” Were such poetic images dangerous to children? Alice would not have permitted her own daughter to pose nude, nor would she have displayed books of nude children in her home, but that did not mean she harbored naiveté about childhood. Children did not suddenly wake from innocent slumbers and transform into sexual beings. They were, although certainly not old enough to consent to sexual activity and not physically mature enough to experience a full range of sexual feelings, on some level, sexual beings all along.

Little girls and their kissing games, little boys and their curiosity about bodies, roughhousing, staring, pointing, accidental touching, sneaking peeks at magazines, stealing into the ladies room and so much more that is part of the normal development, and natural curiosity of children. Add the peculiar interventions of parents, and other adults, and the sexual evolution of children gets distorted and accelerated. Alice recoiled in disgust at the baby beauty queen industry, which dressed little girls in Miss America gowns and makeup. But the miniature, sexualized adults in these contests were not creatures out of context, they were simply an extreme example of the clothes, hairstyles and mannerisms of ordinary children, who rushed ahead toward adulthood.

You need to be a registered member of gather.com and be logged on to the site before you vote. The site has *truly horrible* navigation, so please click on the links I’ve provided.

Candy mentioned that this book has come close to being published…repeatedly. One publisher held onto it for a year before turning it down, another held it for 6 months.

Comments aren’t necessary but Borders is giving $100 gift certificates to the most insightful comments in round 3 of the competition. Remember that the voting is done by clicking on the appropriate star. Voting ends Wednesday, May 16th.

Enjoy reading!

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…It wasn’t so long ago that the male collegians of America hid their copies of Playboy deep inside their sock drawers, and the naked women tucked therein were glamorous, unknowable princesses from a media empire far, far away. These days, when anyone can run a virtual media empire out of a dorm room, student-generated sex magazines, some with the imprimatur of university financing and faculty advisers, are becoming a fact of campus life. Their subjects and contributors are the gals — and guys — down the hall; their target audience is male, female, straight, gay and everything in between. Not all are as overtly titillating as Boink. The grande dame of the group is Squirm, a “magazine of smut and sensibility,” which has been circulating since 2000 at Vassar, once the inspiration for the awkward lunges and contraceptive pessaries of Mary McCarthy’s 1963 novel “The Group.” Topics considered within its pages have included bondage and sadomasochism, the history of the condom and the fluidity of gender. At Yale, there is the earnest, instructive SWAY, whose title is an acronym for Sex Week at Yale, a student-run symposium held biennially there since 2002, with administrative blessing and a corporate sponsor, Pure Romance, a company whose representatives sell sexual aids for women at Tupperware-like “parties.” The premiere edition included a slightly breathless interview with the porn star Jesse Jane along with an essay by the conservative Jennifer Roback Morse, Ph.D., a former Yale economics lecturer, which concluded: “Marriage is for lovers. Hooking up is for losers.” In 2004, H Bomb arrived at Harvard with slightly loftier intellectual aspirations: its founders, Katharina Cieplak-von Baldegg and Camilla Hrdy, positioned it as a “literary arts magazine about sex and sexual issues.” Vita Excolatur followed shortly after at the University of Chicago (its title a truncated version of the university’s motto, translates roughly as “Life Enriched”), proclaiming itself “eager to engage all interested parties, from Republican pro-choicers to pro-Foucauldians.” And Columbia now has, simply, Outlet, whose second issue, published online in December 2006, includes a review of eight vibrators and an article on “vaginal personality” — shades of Dr. Betty Dodson, the masturbation instructress — subtitled “How snarky is your punani?”

(more…)

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Call for submissions: Best Sex Writing 2008
To be edited by Rachel Kramer Bussel
Publication date: November 2007
Deadline for submissions: May 1, 2007

Email: bestsexwriting2008@gmail.com

Editor Rachel Kramer Bussel is looking for personal essays and reportage for inclusion in the 2008 edition of Best Sex Writing, which will hit stores in November 2007. Seeking articles from across the sexual spectrum, covering alternative sexuality, reproductive rights and sexuality, sex work, sex and aging, sex and parenting, BDSM, polyamory, gender roles, sex and race, sex and disability, etc. These topics are just starting points; any writings covering the topic of sex will be considered. Personal essays will also be considered.

Previous editions of the annual series have featured authors such as Susannah Breslin, Susie Bright, Stephen Elliott, Tristan Taormino, Virginia Vitzhum, and others. See Best Sex Writing 2005 and 2006 for examples of the types of writing being sought. I’m especially looking for reported pieces that are political, timely, intelligent, surprising, and insightful about sex in American culture (and its many subcultures). (more…)

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Editor: Maria Angeline
Publisher: Merge Press
Submissions Deadline: March 15, 2007
Anticipated Publication Date: Spring 2008

Femmes are still invisible. Society can’t see past our heels to hear our stories, so we must continue to build platforms for our voices. Visible: A Femmethology, a forthcoming anthology about the power and complications in presenting femme as a gender and breaking the traditional meaning of feminine, aims to showcase blunt, personal essays exploring what “femme” means to those who claim it as an identity.

Give me your experiences, your inner dialogues, your theories and practices. Please do not send fiction, poetry, or erotica. I will not consider any material to which you do not fully own the rights. I am seeking prose that is thoughtful, analytical, raw, challenging, exploratory, and uniquely you. (more…)

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