Gallery Carre
What the hell is wrong with conservatives? (Shakespeare’s Sister)
Nov 2nd, 2005 by Viviane
With all the bloviating we hear about moral values from conservatives on a regular basis, you’d think that maybe they’d make some vague attempt to actually live up to their rhetoric, but time after time, it’s conservatives who prove to be the most corrupt, the most deviant, the most disturbed. Completely antithetical to the liberal theory that allowing people freedom of choice and expression will facilitate the development of healthy choices and self-expression, conservatives believe that repression is the key to goodness. But it doesn’t work. In fact, it has the opposite effect. Repression of normal desires can’t work forever, and once those normal desires have cooked in the dark recesses of the human mind for years on end, they bubble to the surface in a much uglier form. Sorry, but I’ll take a run-of-the-mill adulterous blowjob any day of the week over mule fucking, closet boytoy-trolling while advocating anti-gay rights measures, or online prostitution.
Anyway, The New Yorker introduces a 1996 novel called The Apprentice by none other than recently indicted scumbag, Scooter Libby, as another in a series of questionable novels by prominent conservatives, and notes:
Like his predecessors, Libby does not shy from the scatological. The narrative makes generous mention of lice, snot, drunkenness, bad breath, torture, urine, “turds,” armpits, arm hair, neck hair, pubic hair, pus, boils, and blood (regular and menstrual). One passage goes, “At length he walked around to the deer’s head and, reaching into his pants, struggled for a moment and then pulled out his penis. He began to piss in the snow just in front of the deer’s nostrils.”
Eugh. And it gets worse. The passage “He asked if they should fuck the deer.” is quoted, to which, The New Yorker notes, “The answer, reader, is yes.” And then there are the old stand-bys of conservative fiction writers:
Homoeroticism and incest also figure as themes. The main female character, Yukiko, draws hair on the “mound” of a little girl. The brothers of a dead samurai have sex with his daughter. Many things glisten (mouths, hair, evergreens), quiver (a “pink underlip,” arm muscles, legs), and are sniffed (floorboards, sheets, fingers).
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